"" StillMotography Plus

Wednesday, February 22, 2012

A Tale of Two Cameras...

I can't remember a time when the flagship DSLR/HDSLR cameras from Canon and Nikon were so evenly matched. It seems that both manufacturers have taken different paths only to arrive at a very similar place.


And the Winner is...
Anyone who shoots with one of these machines. It is clear that users of either brands should be wildly ecstatic, and in capable hands each of these cameras should be able to deliver the goods- be it stills or motion.

Check Out the Latest Issue of "Geared Up and Ready"

Monday, February 6, 2012

The Interchangeable Lens— Mirror-less Cameras— Just Keep Coming

The big story in imaging for 2011 was in the ILML camera segment: 14 new cameras were introduced last year. The trend seems to be continuing in 2012 with Olympus expanding its ILML camera line with the OM-D E-M5 as well as a fast telephoto prime and macro lens; Fujifilm announcing the X-Pro 1 and several lenses; and Pentax-Ricoh announcing the K-O1, the companies second ILML model but the first of the mirror-less cameras to work with a manufacturers existing DSLR lenses without an adapter. With Fujifilm’s entry into this market, there are now seven manufacturers using four sensor formats; and seven different systems and lens mounts. The price range of $400 to $1700 for an ILML body, suggest that some manufacturers believe the appeal of smaller bodied, high quality camera systems goes beyond amateurs and enthusiast moving up from point & shoot and “advanced” compact cameras. The chart below profiles the available ILML camera systems.


The Micro Four Thirds format used by Olympus and Panasonic, as well as the Sony NEX format got a huge boost with Sigma’s announcement that it would be producing lenses for both formats and news that Tamron and Tokina, the other two large third-party lens manufacturers have joined the Micro Four Thirds Group.

Since the Micro Four Thirds system used by Panasonic and Olympus is the oldest of the ILML camera systems, it should come as no surprise that the format is leading the pack in terms of lens availability with more than 28 OEM lenses developed specifically for the system available; and covering an effective focal length range of 14 to 600mm. Although Panasonic and Olympus use the same format and mount, Olympus lenses are not image-stabilized since the Pen system uses body-based image stabilization; Panasonic, on the other hand, uses lens-based stabilization. Many of the Olympus and Panasonic lenses are silent -focusing and are therefore optimized for use in conjunction with autofocus during motion capture.

The announcement and availability of an increasing number of large aperture primes from many of the ILML camera makers addresses what some believed was the Achilles Heel of the segment in general. With the addition of these lenses, many ILML cameras— particularly those using the larger sensor formats— will offer the same depth of field control options and low light capabilities as HDSLs using the same sensor format.

While the Leica M9 is technically an ILML camera, it has not been listed as it does not have video capability. Leica is expected to unveil a new compact ILML camera system during the second half of 2012. As of this writing, Canon remains the sole major camera manufacturer yet to enter this growing and increasingly competitive segment of the imaging market.

While the ILMC segments continue to expand, point &shoot and advanced cameras remain an important segment in the imaging market with 65 new cameras being announced since January 1.

Monday, December 19, 2011

Welcome

Welcome to StillMotography Plus! As the world of imaging has changed, growing numbers of image-makers, whether professionals with clients or enthusiasts, want to generate both stills and motion content. If you are shooting stills and motion with your camera, you have entered the world of Still-mo-tography and you are quite possibly a stillmotographer!
In the two and a half year life of this blog, the universe of cameras capable of capturing stills and motion has grown tremendously. While the Nikon D90 and the Canon 5D MarkII HDSLR cameras may have kick-started “stillmotography,” the number of cameras that have been introduced that are capable of delivering stunning stills and motion clips is astonishing and we’re talking about going way beyond the traditional DSLR. Our name change from HDSLRS-n-Motion is recognition of the expanded universe of not only cameras, but of products which can be of value to the Twenty-First Century image-maker. Welcome to a brand new world!
So Please come back often and check us out at www.stillmoplus.com!

Byron

Monday, March 7, 2011

The Current Range of HDSLR and ILML Cameras

An updated and expanded edition of Going Beyond Stills:  HDSLR and Interchangeable Lens - Mirror-less (ILML -because we hate referring to them as EVILs)  Cameras is now available.  You can view it by clicking on the "image" embedded below. 


Monday, January 17, 2011

A Wish List for HDSLR Camera Features? Or Reasonable Expectations?

Both the gift-giving holiday season and CES 2011 have come and gone: The E-PL2 was the only ILML (Interchangeable lens – Mirror-less) camera announced at CES; and there were no HDSLR announcements made. It leaves one wondering if the heavy consumer focus of CES was a deterrent for camera makers to introduce important but niche HDSLR/DSLR product, opting instead to focus on more mass market compact cameras and camcorders; or if the technologies they are considering for HDSLRs/DSLRs are still under development or are being tweaked. There were, nevertheless, some interesting features shown on some of the compact and advanced cameras introduced that may be included on more cameras in the future.


I have long said that if you want to get a preview of coming attractions on HDSLR/DSLR cameras that one needs to look at the mass consumer camera models. Live view, filter options, and video were features in these cameras before they found their way into HDSLRs/DSLRs. Think about it, the easiest way to get people to trade up to newer, more capable and more expensive models, is to include features they are accustomed to. Working photographers may also have an affinity for products which give them a technological edge.

So, here are a few features included on some of the recently announced cameras that would be nice to see on HDSLRs of the future:

• Kit lenses or a range of lenses optimized to perform silently while auto focusing/continuous auto focusing during video capture.

• Stereo audio capability while recording video;

• Variable frame rate speed recording options: The Fuji FinePix HS20 super zoom, an advanced camera model, offers variable/high speed movie recording options tied to resolution choice; from 30 frames per second at 1920 x 1080 to 320 frames per second at 320 x 112.

• Built in Wi-Fi: If a feature like this can be included in a under-$200 Samsung sh100 compact…

• Larger OLED touch screens (like the 3.5” screen on Sony’s TX100V Camera.)

• The ability to capture stills and video simultaneously like several of the newly announced Sony compact cameras which have Dual Rec Mode. As of this writing, the Panasonic GH2 is the only HDSLR/ILML camera with the ability to simultaneously record stills and video without video interruption.

And why not look to some recently introduced camcorders to see if there are some features that might make sense for HDSLRs as well.

Canon introduced two new camcorders the XA10 Professional Camcorder and the Vixia HF G10 and after reviewing the specs for both camcorders, it seems that the only two features they are missing for some movie camera enthusiasts are interchangeable lens capability and an APS-C or full frame 35mm-sized sensor. That of course is a different discussion. But the feature, in addition to the 3.5” 922,000 dot LCD, that would be most interesting to have on an HDSLR would be their Touch and Track /Touch Autofocus and Touch Exposure features/system. With Touch and Track, you select the point of interest on the Touch Panel LCD and you will have the subject in focus, regardless of where in the frame the subject moves during the shot. Touch Focus, you can pinpoint a specific area to focus on anywhere in the frame; Touch Exposure enables exposure to be locked or compensated for an area you specify. One can only hope that the camcorder and still imaging design teams are communicating and working together on some things.

There is a nice demonstration of Touch Autofocus on the Canon Vixia HF G10 Features Page: Click here to view. Once there, click on Touch&Track on the features list to bring up the demonstration.

It will be interesting to watch how things develop.

Friday, January 14, 2011

New Post Coming the Week of 1/17

Hey friends and readers,
I hope the Holiday season was a good one for you.  I'm Finishing up a new HDSLR related post which will be be published early next week.  In the meantime, feel free to enjoy the recent post in our sister blogs: 

HD Imaging and a Few Thoughts Post-CES 2011 at http://hdhd411.com/
and
Going Beyond Stills:  Is it the HDSLR or Other Things that Really Matter at: http://beyondstills.com/
Best Regards and Happy Imaging!

Friday, December 24, 2010